Stranger With A Camera is a 2000 documentary film by director Elizabeth Barret investigating the circumstances surrounding the 1967 death of Hugh O'Connor. Barret, who was born and raised in the region, explores questions concerning public image and the individual's lack of power to define oneself within the American media landscape. By contrasting multiple perspectives from locals and O'Connor's film crew, Barret weaves a tale of a complexly motivated crime with an insightful exploration of how the media affects the communities it chronicles. The film premiered at the 2000 Sundance Film Festival and later aired on the PBS series P.O.V.

Stranger With A Camera is a 2000 documentary film by director Elizabeth Barret investigating the circumstances surrounding the 1967 death of Hugh O'Connor. Barret, who was born and raised in the region, explores questions concerning public image and the individual's lack of power to define oneself within the American media landscape. By contrasting multiple perspectives from locals and O'Connor's film crew, Barret weaves a tale of a complexly motivated crime with an insightful exploration of how the media affects the communities it chronicles. The film premiered at the 2000 Sundance Film Festival and later aired on the PBS series P.O.V.

This is the story of the Tbilisi-Batumi train, which, due to a switchman's mistake, first enters the line of occupation of the Georgian region of the Autonomous Republic of Abkhazia, then the train enters the city of Chiatura.

Single mom Karen Clark hires Alex, a manny (a male nanny) to help with her two young sons never suspecting Alex has other plans and wants her family as his own... even if he has to murder to achieve his goal.

An ex-Hollywood screenwriter now teaching an evening class in New York finds himself in a battle of wits with a devious screenwriter student.

A flavourful journey to find the top chef, facing ten challenges across nine provinces.

After the shocking and untimely death of her husband, Shelley Stratton (Catherine Hicks) moves her daughter Alexis (Emily Hurst) and her adopted daughter, Laurie (Alexz Johnson), to their remote summer house in hopes of giving her family a fresh start. As Laurie begins to settle in and put her life back together, she gets the eerie feeling that she is constantly being watched. Laurie's uneasiness grows when people start claiming to see her in places that she has never been. The family's delicate state begins to unravel when Laurie unearths the dark past, discovering a twin sister that she never knew she had. Laurie is forced to delve deeper into her twin's secrets, for as it turns out her twin has been locked up for years! Laurie must now understand their strange connection in order to prevent her sister from taking over her life and harming her loved ones. Based on the book by author Lois Duncan

In a seedy old cabaret club, a young girl is rescued from her grim fate by the hand of a bloodthirsty visiting stranger.

Far away from the site of a gruesome murder, a teenager named Jill Johnson arrives at a luxurious home for a baby-sitting job. With the children fast asleep, she settles in for what she expects to be an ordinary evening. Soon, the ringing of a phone and the frightening words of a sadistic caller turn Jill's routine experience into a night of terror.

A grown-up brother and sister's visit to their parents home culminates in a shocking tragedy. The events of the weekend are told over four episodes, each focusing on the point of view of one family member: the daughter Terry; the father, Ted; the son, Alan and finally the mother, Sarah. The full story of the dysfunctional family plays out through the use of repeating scenes, flashback, and monologue.